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The Interroblog is Dead. Long live . . .

Posted on August 28, 2011 by Phoebe No Comments

As you may have guessed, the Interrobangs have moved on to other projects. It was great while it lasted, but all things must pass, I suppose.

Tee has launched LitStack, a site for reviews and literary news. Check it out! And Sean and I are launching the Intergalactic Academy, a site for YA sci-fi reviews and news, on September 2nd. Keep an eye out!

And just a note, we are not affiliated with the recent YA vlogging group by the same name. If you’re looking for them, please go to their youtube channel.

Favorite Opening Lines…of the Past Few Years

Posted on August 8, 2011 by TS Tate No Comments

In grad school, my Lovely Writing Mentor advised us to open a story with something that would either shock the reader, hook the reader, intrigue the reader or just make them laugh. When you get right to it, sometimes that simple task is hard to manage. However, during the course of my novice, ‘no-one-will-ever-read-this-but-my-writer’s group’ constructions of some really bad fiction, I’ve been able to manage it. For the most part. Some, I’m very proud of. Others, not so much, but generally they run along the “tonight she danced alone,” and “Anissa had no real memory of rain.”  Not saying they’re great or even my favorite, but there we are.

Of course, I have my all time favorite openings: “124 was spiteful.” Despite my COMPs exam almost eradicating my love for Beloved, I recognize that’s a killer opening and a great American novel. But the following are some of my personal favorites that have come about over the past ten years though they are in no way a complete list…I’d be here all night if it were. Some aren’t ‘literary’ whatever that is supposed to mean, but they certainly have gotten my attention, are from amazing novels that I have loved and in many cases, these openings have made the narcissistic writer in me hugely jealous.

In no particular order whatsoever. Feel free to add your own favorites:

“Shadow had done three years in prison.” American Gods, Neil Gaiman

“Jude had a private collection.” Heart Shaped Box, Joe Hill

“My name was Salmon, like the fish; first name Susie.” The Lovely Bones, Alice Sebold

“A man begins dying at the the moment of his birth.” The Husband, Dean Koontz

“My mother used to tell me about the ocean.” The Forest of Hands and Teeth, Carrie Ryan

Go forth and read these if you haven’t had the honor quite yet.

Word Nerd

Posted on July 11, 2011 by TS Tate No Comments

I was never going to be a math wiz. Figures and formulas weren’t my forte, I’m very right brain, I’ll admit. I was never going to develop a life-saving elixir, not one cure for cancer or diabetes or anything near to being that altruistic. I am an English nerd from way back. Books, stories, plots, even the dissection of a sentence is like food for me…like a brain filling, imagination building gourmet meal.

I love metaphors and similes and all those silly little English certainties that most avoid or muddle through during their freshman year. I crave them. I was the girl in college—that silly, somewhat nerdy girl—who took English classes as her electives, who opted out of Basket Weaving 101 for Arthurian Legends taught by Professor Wow-She-Speaks-In-Fifty-
Dollar-Words.

Yep, I was that girl.

But I won’t apologize for it. I’m not ashamed. Being an English nerd gives you a passport to another world, or worlds as the case may be. It’s not an exclusive club, this Literary Lovers Alliance, anyone can join. Just pick up a book, grab a journal, click onto a story site and you are a member. Perhaps not a life-long, super secret handshake member (I’m pretty sure you have access that particular membership only when you get your MA in English, or maybe that was just my university), but you’re a member nonetheless. The only requirement is an imagination and the ability to laugh as you read, (while ignoring the stares you may get), become engrossed in every portion of a story, in every emotional high and low, in every well thought out, purposeful bit of dialogue.

Ultimately, you must have to ability to become absorbed.

When I was in graduate school, I took a class, ‘History of the Book,’ I think it was, where the professor shared what he knew about how society went from Monks with feathered pens and parchment, to the latest Gaiman novel. We started at point A and ended at Z, very simple, a bit dry at some points, but still interesting. The objective was, however, to examine how words, mere simple words, had changed the world. See? It all started with English nerds or perhaps I should say Word Nerds.

Words are powerful. They can consume us like the sea, defeat us, flay us like the sharpest sword. They can also save us, they can transport us, make us feel, make us cry, make us fight and scream and laugh and love. There is nothing more powerful, not one thing more magical. Don’t believe me?

Case in point: John Trudell. He’s a poet and one time spokesman for the American Indian Movement. He was a speaker. All he did was speak. His only weapon was his words and the truth he believed. And for his words, his family was murdered. He’d been warned, in the county jail, to shut up, to stop protesting. Weeks later, after he’d continued to speak? His wife, mother-in-law and children were all dead because of words. Only words.

Another example? Have you heard of Harvey Milk? No need to list all the things he did, all the words he spoke because there is a phenomenal film that can explain it far better than I can. The point is, he used words as a weapon and he died for it.

There are others, countless others—Martin Luther, Nelson Mandela, D.H. Lawrence, Vonnegut, Dr. Martin Luther King, and many others, some of who are the reason we can call ourselves American. Words, my friends, simple words can change the world. So, respect them. Love them. Honor them.

In the end, when we’re all ashes, when the apes or robots or aliens (insert your chosen post-apocalyptic villain here) have taken over and memory of humankind becomes a fading myth, it will be the words—ours or theirs— that will endure.

Why “Query Widely” Is The Worst Advice Ever For Unagented Writers

Posted on July 8, 2011 by Shannon Riffe No Comments

This post originally appeared on my personal blog, but I wanted to share it here as well. What has been your experience querying a novel?

A little bit of a scandal has rocked the YA writer community of late, and I actually have something to say about it.

A literary agent – who shall remain unnamed, but shouldn’t be too hard to figure out if you do some research on the Absolute Write forums – recently disappeared quite abruptly. She simply left agenting without notifying her agency or her clients, some of whom had submissions out to editors. She posted a message on Facebook and that was that.

Since then, a handful of former clients have come forward with different variations on the same story. Turns out this agent hadn’t even submitted manuscripts as she had promised. She hadn’t responded to important messages from editors.

I read through these blog posts and through the AW forums and I thought two things:

  1. Why on earth would an agent behave this way? What is there to gain? How can she possibly continue to work in publishing after such an epic flameout?
  2. Thank god I didn’t accept her offer of representation.

That’s right. At the end of last year, after 60+ queries, 10 partial and full requests and months of querying for THE MERMAID’S DAUGHTER I ended up with a few close calls but only one offer of representation. An offer from this very agent.

I had a few concerns about her at first. I did my research (not only because I love research, but because any aspiring author should do so) and I had some reservations. Her agency had been involved in some weird behavior in the past and had received warnings and non-recommendations on a handful of the agent resource sites I looked at.

On the other hand, she had recently sold a debut YA author’s series for big six-figure money and had a decent track record in non-fiction. What the hell, I thought. “Query widely” is the first rule of querying. You never know what agent will respond to your story. It doesn’t hurt to send her a letter and see what happens. Famous last words.

What happened was that as time went on, I began, and got excited about, a newer, stronger story. And I got promising rejections from legitimately impressive agents I would put on my “dream agent” list. I wanted the chance to go back to those agents with my new manuscript.

I started to hope she’d never get back to me. I started to wish, that out of all the agents I queried, she would be the one to forget about my full submission and just leave me alone. I wanted this because I didn’t want to face the decision of having to choose between an agent I really wasn’t excited about or remaining unagented.

In hindsight, it seems like a simple choice. But there really is a fear that this might be your only chance. This offer of representation might not be perfect, but at least it’s something. And isn’t something better than nothing? She scheduled the call. I came prepared with my list of questions. And the knot in my stomach only grew larger.

She seemed kind of irritated at a lot of my questions. I brought up my hesitancy about her agency, based on this prior activity they’d been involved in, and her explanation was completely lacking. I asked about her sales record. Yeah she had that one big YA sale over a year ago, but what else? What was on submission? What had sold in the past year since then? The answer: nothing. Big Red Flag. She was very complimentary, threw around all the names of the big publishers. Someone at Little Brown was a personal mentor of hers and she just knew she’d love THE MERMAID’S DAUGHTER. That all sounded good, but what was the point of saying you had these connections if you didn’t have any actual sales to back it up.

I kept coming back to that point. She kept getting more irritable. Up until that point, she was giggly and causal in a way that made me question her professionalism. Did I really want this person to represent me? I had a full ms still floating around with another agent, so I told her I’d need a week to let the other agent know I had an offer of rep and think about things. In the meantime, She’d send over her suggestions for the first three chapter revisions so I’d have an idea of the type of re-write she had in mind.

I hung up feeling conflicted. I emailed the Interrobangs. Returned to Absolute Write. Scanned the Publisher’s Marketplace listings. And I kept thinking, Little Brown, Harper Teen, Dutton, all great YA publishers she said we would submit THE MERMAID’S DAUGHTER to. I was so close. So why did I feel so uneasy?

In the end, she never ended up sending those revisions. It only confirmed what I had suspected all along. This agent was not for me. I sent the email saying as much and received two of the most passive aggressive responses ever sent in the history of Gmail. It didn’t matter though. My decision had been made. I still remained unagented. But at least I didn’t have a bad agent.

When I query RUN, ZELLA, whenever that may be, I will absolutely not “query widely.” Why should I? I know what agents I’d be excited to represent me. I know what types of sales history or agency activity will send up red flags. I’m going to query selectively. Querying widely is exactly what got me into this situation in the first place. I overlooked my hesitations in order to just get my work in front of an agent who would accept it. Any agent. But any agent isn’t good enough.

Find us elsewhere . . .